Sili na Vaʻaia Mai Michael Balcon Productions

Fautuaga e Maimoa Mai Michael Balcon Productions - Maimoa i tifaga ma televise mataʻutia mo le leai se tau. Leai se totogi o lesitala ma leai ni credit cards. Naʻo le afe ma afe itula o faʻasalalau ata vitio mai potu e pei o Paramount Lionsgate MGM ma sili atu.

  • 1953
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    The Cruel Sea

    The Cruel Sea

    6.90 1953 HD

    At the start of World War II, Cmdr. Ericson is assigned to convoy escort HMS Compass Rose with inexperienced officers and men just out of training....

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  • 1955
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    The Ladykillers

    The Ladykillers

    7.30 1955 HD

    Five oddball criminals planning a bank robbery rent rooms on a cul-de-sac from an octogenarian widow under the pretext that they are classical...

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  • 1953
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    The Titfield Thunderbolt

    The Titfield Thunderbolt

    6.90 1953 HD

    When British Railways announce the closure of the Titfield to Mallingford branch line a group of local residents make a bid to run it themselves,...

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  • 1955
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    The Night My Number Came Up

    The Night My Number Came Up

    6.80 1955 HD

    British Air Marshal Hardie is attending a party in Hong Kong when he hears of a dream, told by a pilot, in which Hardie's flight to Tokyo on a small...

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  • 1953
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    Meet Mr. Lucifer

    Meet Mr. Lucifer

    5.10 1953 HD

    A TV set given as a retirement present is sold on to different households causing misery each time.

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  • 1961
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    The Long and the Short and the Tall

    The Long and the Short and the Tall

    7.09 1961 HD

    Based on a play by Willis Hall. A troop of British soldiers are out in the jungle to record jungle noises and troop noises in the jungle so that the...

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  • 1963
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    Sammy Going South

    Sammy Going South

    6.00 1963 HD

    After he is orphaned by an air raid on Port Said during the Suez Crisis, a young boy attempts to go by himself from the Suez Canal to Durban in South...

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  • 1952
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    The Gentle Gunman

    The Gentle Gunman

    6.30 1952 HD

    The relationship between brothers Terry and Matt, both active in the IRA, comes under strain when Terry begins to question the use of violence.

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